V\u00fdhodou negativu, jak asi v\u011bt\u0161ina z n\u00e1s v\u00ed, je mo\u017enost jeho op\u011btovn\u00e9ho pou\u017eit\u00ed. Jedn\u00edm z m\u00fdch miln\u00edk\u016f v pozn\u00e1v\u00e1n\u00ed negativn\u00edho kolodiov\u00e9ho procesu bylo sezn\u00e1men\u00ed s profesion\u00e1ln\u00edm slovinsk\u00fdm fotografem jm\u00e9nem Borut Peterlin. Jeho ofici\u00e1ln\u00ed web je borutpeterlin.com<\/a>, ale mnohem v\u00edce aktivn\u00ed je na sv\u00e9m blogu<\/a>, kter\u00fd p\u00ed\u0161e ji\u017e asi deset let. Loni v l\u00e9t\u011b jsem odjel do Slovinska, abych s Borutem absolvoval priv\u00e1tn\u00ed workshop tvorby kolodiov\u00fdch negativ\u016f. Borutova pr\u00e1ce je pro mne nesm\u00edrn\u011b inspirativn\u00ed a zaj\u00edmav\u00e1. The advantage of negative, how a lot of people know, is a\u00a0possibility to use it for contact prints and other purposes.<\/p>\n Film negatives can be used in a darkroom to print\u00a0photos on photo paper or other light-sensitive materials and with collodion negatives is the using almost the same. One of the milestones in my learning process of collodion negatives was my connection to a professional photographer Borut Peterlin. His official website is\u00a0borutpeterlin.com<\/a>, but much more active is his\u00a0blog<\/a>, which has been written by Borut for more than ten years.<\/p>\n Borut studied at FAMU in Prague and thanks to that fact we have much closer to each other.<\/p>\n Borut, who personally attended several workshops in the USA in George Eastman House, Rochester is one of Europe’s most enthusiastic among professional photographers. To choose his workshop was for met the right choice. He gave me within two days maximum information he had got in the George Eastman House<\/a>\u00a0 and helped me to more easily understand the basic \u00a0elements for my future work.<\/p>\n Borut’s work is for me extremely inspiring and interesting. —<\/p>\n
\nFilmov\u00fd negativ se v temn\u00e9 komo\u0159e pou\u017e\u00edv\u00e1 pro v\u00fdrobu fotografi\u00ed na fotopap\u00edr nebo jin\u00e9 sv\u011btlocitliv\u00e9 materi\u00e1ly. U kolodiov\u00e9ho negativu tomu nen\u00ed jinak.
\nVyu\u017eit\u00ed je obdobn\u00e9 jen s t\u00edm rozd\u00edlem, \u017ee sklen\u011bn\u00fd negativ se v\u011bt\u0161inou pou\u017e\u00edv\u00e1 na tzv. kontaktn\u00ed tisk 1:1, viz Wikipedie<\/a>.<\/p>\n
\nBorut vystudoval\u00a0fotografii na\u00a0FAMU v Praze a mimo jin\u00e9 i d\u00edky tomu m\u00e1me k sob\u011b coby \u201ccizinci\u201d mnohem bl\u00ed\u017ee.<\/p>\n
\nBorut, kter\u00fd se osobn\u011b \u00fa\u010dastnil\u00a0n\u011bkolika workshop\u016f v USA v George Eastman House<\/a>\u00a0v Rochesteru pat\u0159\u00ed v Evrop\u011b mezi nejv\u00edce zap\u00e1len\u00e9 profesion\u00e1ln\u00ed fotografy, kter\u00e9 jsem dosud poznal. Fotografie je jeho \u017eivot. Jeho workshop pro mne byl spont\u00e1nn\u00ed a spr\u00e1vn\u00e1 volba.
\nP\u0159edal mi b\u011bhem dvou dn\u016f maximum informac\u00ed, kter\u00e9 v George Eastman House z\u00edskal a pomohl mi tak sn\u00e1ze pochopit z\u00e1kladn\u00ed tv\u016fr\u010d\u00ed prvky pro dal\u0161\u00ed pr\u00e1ci.<\/p>\n
\nZcela ur\u010dit\u011b na m\u00e9m blogu vyd\u00e1m samostatn\u00fd \u010dl\u00e1nek o tomto um\u011blci, se kter\u00fdm jsem ji\u017e del\u0161\u00ed dobu p\u0159\u00e1tel\u00edm.
\n—<\/p>\nAfter about a year and a half of working with collodion positives I wanted to go further – to work with my\u00a0own \u00a0collodion negatives.<\/h3>\n
\nUsage is similar with the only difference that the glass negatives are\u00a0usually used for the so-called contact printing 1:1,\u00a0see\u00a0Wikipedia<\/a>.<\/p>\n
\nI will write on my blog an extra article about my friend Slovenian artist Borut Peterlin.<\/p>\nN\u00e1\u0161 testovac\u00ed slan\u00fd tisk z na\u0161eho kolodiov\u00e9ho negativu. L\u00e9to 2013, Slovinsko
\n—
\nOur test salt print from the collodion negative.\u00a0Summer 2013, Slovenia<\/h4>\n\n